Blog Categories/Tags
120
3rd Party Certification
Art
baa
Baudelaire
Big Yarn
Biking
Bolano
Breeding Stock
Catskill Merino Hat
Cesare Pavese
Cezanne
Cooking Lamb
Coup de Grace
Coyotes
Deworming
Discount Code
Dogs
Dominion?
Drugs
Ducks
Eartag 36
Eating Policy
Electric Fence
Employment
End of Poverty
Exercise
Factory Farm
FAMACHA
Famous Knitters
Farm Help
Farm Stand
Fecals
Flaubert
Florence Fabricant
Food Flock
Food Politics
Foodie
Frances Middendorf
Garlic
Garlic Cultivation
Gift Certificates
Gordon Lightfoot
Grazing
Grazing 2009
Green Mountain Spinnery
Green turn
Greener Shades
Greenmarket
Greenmarket; Union Square
Hand Dyeing
Hand Dyeing Workshop
Hats
Hats for Haiti
Heather Yarn
Indigo
Ink
Interns
Irony
Jack
Johnny Cash
Judy Geib
Kafka
Knitter's Review
Knitter's Slideshow
Knitting Gauge
Lamb
Lamb 427
Lamb Andouille Sausage
Lamb Bacon
Lamb Cuisine
Lamb Gallery
Lamb Jerky
Lambing
Lambing 2009
Lambing 2010
Lamb's Quarters
Lede
Limited Edition Color
Madder
Maiwa
Manure
Michael Pollan
Morning
Movies
Natural Colors
New York
New York Times
Newsletter
Oil
Osage Orange
Overheard
Painting
Pasture
Pemmican
Photography
Poem
Poetry
Politics
Proust
Proverbs
Quaker Creek
Ram Lamb 94
Reading
Recipes
Restaurants
Rude People
Sausage
Scarves
Sentences
Shearing
Shearing 2009
Shearing 2010
Sheep
Sheep and Wool Festival
Sheep Breeding
Sheep in Snow
Sheep Jornal Thoreau
Sheep Journal
Sheep Photo
SHEEP-L
Sheepskins
Shirley Hazzard
Situationism
Snow
Song
Sontag
Spinning
Sport Weight
Staff
Stand
Stand by the Union
Surfing Sheep
Swann in Love
Sweater
Swimming
Tannery
The Crying Game
The Dance Parade
The Poem Chronicles
The Track
Thoreau
Truck
Twitter
Ugh
Union Square
USDA
Vampires
Veterinary
Video
Virginia Woolf
Vultures
Water
Weather
Website
Weeds
Weld
What's New
Windfall Farms
Winter
Wool
Wool Handicraft
Yarn
Yarn Colors
Yarn Craft
Yarn Weights
'Organic'
Blog Entries by Date
Farm Newsletter




Come
Behind!
<< Back to main

Ewes in Context

7/1/2010 10:01pm by Eugene Wyatt

When I returned from Paris in the early 80's, I continued my study of painting at the Arts Students League on West 57th Street. 

I attended classes in Life Drawing taught by Robert Beverly Hale and classes in Abstract Painting taught by Richard Pousette-Dart, the former was a Curator of American Art at the Metropolitan Museum and the latter had paintings in the Met's Abstract Expressionist collection displayed alongside the drip paintings of Jackson Pollack; but no matter the aestehtic wisdom these two may have passed along to me, what I remember when I look through the viewfinder of my Nikon, poised to photograph my sheep, was from a less hearalded painting instructor at the League, Peter Golfinopoulis who said, "A work is it's context."  

Here, I photograph the context of the clouds and the text of the sheep.

7 Comments »
Naomi said,
7/2/2010 @ 2:14 am
This is a really lovely photograph - I love the wide expansive sky and how the tracks in the field and the sheep run at a diagonal to the clouds. As I look at it further I can see where if the formation of the clouds and/or the formation of the sheep were to change, so too would the context.

I will be eagerly watching for when you next dye some more fiber/yarn to see what colours you come up with. Do you ship to Canada?

Blessings in wool!

Naomi
Linda said,
7/2/2010 @ 9:02 am
Your photographs are all lovely, but this one is particularly striking. I thoroughly enjoy your blog. The photographs, text, insights on sheep and wool, and comments on living the life you want to live are so interesting. As long as you keep posting, I'll keep reading.
Ann said,
7/2/2010 @ 10:53 am
I wish I was there.....
AE Fleming said,
7/3/2010 @ 9:51 pm
Great pic. I still have the Nikon my Dad gave me as a graduation present from high school.
And Dad is using the Nikon digital now at age 84 and still taking the best pictures! Keep up the good work! Love the sheep since I am a knitter.
Eugene Wyatt said,
7/4/2010 @ 9:52 pm
Several years ago, when I started to think about having a website that sold yarn online I realized that I needed to picture the skeins and the sheep too; I bought an inexpensive Nikon CoolPix at Best Buy, but in the sunlight on the LCD screen, I couldn't see the sheep that I was photographing; I needed a SLR to block out the extraneous sunlight to see what I was aiming at so I got a Nikon D80 in DX format.
Then, reading & shooting more, I realized that photography is really about lenses, not camera bodies. So to avail myself to the best lenses I could use (would the sheep expect less) I had to upgrade my camera to FX format which has a larger image, but unfortunately is more expensive.
About that time the Nikon D700 FX came out, half the price of a D3, buying it permitted me to use FX lenses.
The Hasidic salesman at Adorama, where I bought the D700 and the FX lenses asked me, "Are you a professional?" I shook my head and told him, "No, I just take pictures of sheep."

As far as the photos I shoot, I can no longer blame my equipment, and yes I can sell/ship to Canada.

Thank you all.
Mary Enck said,
7/22/2010 @ 10:24 am
I read your E mail and visit your website because they bring me a kind of solitude that is rare to find these days. I gaze at the photographs and imagine myself in the scene. I pet the sheep and sit down in the shade of your trees to rest from the heat of the day. What a peaceful setting you live in. I sincerely thank you for taking the time to share it with your readers.

Eugene Wyatt said,
7/26/2010 @ 5:53 pm
Sheep are magical.
Leave a Comment
Your email address will not be posted to the public and we will not send any emails to the provided address except in direct reply to this comment.




Captcha* This question is used to make sure you are a human visitor and to prevent spam submissions.
Check this box to receive updates by email when
new comments are added to this item.