Ewes in Context

When I returned from Paris in the early 80's, I continued my study of painting at the Arts Students League on West 57th Street.
I attended classes in Life Drawing taught by Robert Beverly Hale and classes in Abstract Painting taught by Richard Pousette-Dart, the former was a Curator of American Art at the Metropolitan Museum and the latter had paintings in the Met's Abstract Expressionist collection displayed alongside the drip paintings of Jackson Pollack; but no matter the aestehtic wisdom these two may have passed along to me, what I remember when I look through the viewfinder of my Nikon, poised to photograph my sheep, was from a less hearalded painting instructor at the League, Peter Golfinopoulis who said, "A work is it's context."
Here, I photograph the context of the clouds and the text of the sheep.
I will be eagerly watching for when you next dye some more fiber/yarn to see what colours you come up with. Do you ship to Canada?
Blessings in wool!
Naomi
And Dad is using the Nikon digital now at age 84 and still taking the best pictures! Keep up the good work! Love the sheep since I am a knitter.
Then, reading & shooting more, I realized that photography is really about lenses, not camera bodies. So to avail myself to the best lenses I could use (would the sheep expect less) I had to upgrade my camera to FX format which has a larger image, but unfortunately is more expensive.
About that time the Nikon D700 FX came out, half the price of a D3, buying it permitted me to use FX lenses.
The Hasidic salesman at Adorama, where I bought the D700 and the FX lenses asked me, "Are you a professional?" I shook my head and told him, "No, I just take pictures of sheep."
As far as the photos I shoot, I can no longer blame my equipment, and yes I can sell/ship to Canada.
Thank you all.